The first Robbedoes Special album, Happy Family by Legendre & Cambré, came out yesterday. In addition to the standard 48-page, softcover edition, there is also a deluxe hardcover edition with 8 additional pages, with the cover seen above. To take a closer look at this new version of Spirou, here’s a scanlation of the preview sample (the first page translated by BrianL and the rest by Miriam, edited by Spirou Reporter) and an interview with the creators, from BM Mag #15.
This week the special 100-page summer issue of the Journal de Spirou (#4082–4083) is out, featuring the first installment of La Lumière de Bornéo (“The Light from Borneo”) by Frank Pé & Zidrou. (A sample of the issue, as well as a preview of the following issue, is available on Izneo.) All the pages thus available have already been seen in Frank’s inks, but now we have the final version in beautiful color (by Cerise).
We’re still a month away from Christmas, but many Journal de Spirou subscribers have already received the special, double-length Christmas issue of the magazine, which – most importantly – features the first installment of La Colère du Marsupilami (Spirou & Fantasio #55, “Wrath of the Marsupilami”). Read on for an interview with Vehlmann and a peek at the first couple of pages…
(If video embed isn’t working, follow the link below)
From the Raptus Festival in Norway, Yoann interviewed by Empirix. He reveals that the next album is expected in March 2016, unless he gets delayed. Also cool to hear his pronunciations of the French names.
Edit: This might also be a good opportunity to mention that according to one source (who heard it from Yoann at a signing), the next adventure will be 54 pages long, up from the standard 46 that recent albums in the main series have been allowed. This should be good news, since in the opinion of many fans, several of the albums have suffered from trying to squeeze too much into too few pages. For example, Morvan & Munuera lobbied hard for a couple of extra pages in Paris-sous-Seine (Spirou & Fantasio #47, “Paris-Under-Seine”), but Dupuis remained inflexible.
(Thanks to Walter Wehus for the tip.)